New Leica SL lenses have been announced for 2026 to coincide with the launch of the Leica SL3-P, which is the first P series full-frame SL camera. Slated for release in the Autumn, the Leica Summilux-SL 50mm f/1.4 ASPH Lens is the world’s most compact autofocus 50mm f/1.4 lens, while the Leica APO-Macro-Elmarit-SL 100mm f/2.8 introduces dedicated 1:1 macro capability to the SL system for the first time.
With enthusiasts and professional users scrutinising the flagship hybrid mirrorless camera, we explore what these new lenses will bring for everyday content creation, starting with what the Leica Summilux-SL 50mm f/1.4 ASPH offers.

With a length of 75.5mm and a weight of just 584g, this is the world's most compact autofocus 50mm f/1.4 full-frame lens, which provides greater portability for handholding. Despite this, it is still weather sealed, features an 11-blade aperture and uses a precision Voice-Coil autofocus system, which is the first time we’ve seen it in an APO-Summicron-SL lens.
Existing SL users may recognise that Leica already offers a Summilux-SL 50mm f/1.4. The newer version takes a different approach, reducing size and weight dramatically (down from 124mm and 1,065g to 75.5mm and 584g) while retaining a fast f/1.4 aperture and autofocus system, which we look at more closely next.
Leica has paired the new optical design with a Precision Voice-Coil AF system, which is intended to deliver fast, near-silent focusing for both stills photography and video.
VCM systems can outperform standard stepping motor designs, offering fast AF speed, greater precision and the ability to handle large optics. With autofocus performance covered, next we turn to the optical design and potential image quality.
Leica uses an optical design with 11 elements arranged in six groups, including two aspherical elements manufactured using its precision glass moulding process. This allows the Summilux-SL 50mm f/1.4 ASPH. to retain its bright f/1.4 aperture while becoming significantly smaller and lighter than the original lens.
The lens focuses down to 0.50m and provides a maximum magnification ratio of 1:7.6, which is closer than many standard 50mm primes allow for. It features a full-metal aluminium construction, Leica’s hydrophobic Aqua-Dura coating and an E67 filter thread for filters and lens accessories.
With such a small size and weight, this is an appealing 50mm lens for a range of popular subjects, including portraits, street photography, documentary, travel and everyday shooting. It is equally suited to long days of handheld photography as it is to commercial shoots, spanning events and portraits. This extends its appeal from enthusiasts through to professional users.

Unlike the new 50mm f/1.4 ASPH., the APO-Macro-Elmarit-SL 100mm f/2.8 fills a gap in Leica's SL lineup. It is designed as a successor to the APO-Macro-Elmarit-R 100mm f/2.8 from 1987, bringing 1:1 macro photography to the SL system for the first time from Leica.
A few features set this apart from existing macro lenses for L Mount, which we explore next.
What sets the APO-Macro-Elmarit-SL 100mm f/2.8 apart is Leica's combination of apochromatic correction, teleconverter compatibility and a dual-purpose design that combines true 1:1 macro photography with portrait capability.
The lens has an optical construction of 17 elements in 12 groups, which is apochromatically corrected throughout. This helps control chromatic aberration and maintain colour accuracy and fine detail throughout the focus range, whether photographing at life size or using the lens for portraiture and other telephoto subjects.
It focuses down to 30cm for true 1:1 macro magnification, and is fitted with a 9-blade aperture plus an autofocus system with a focus limiter for quicker subject acquisition during close-up shooting.
APO is something Leica reserves for its highest-performing lenses, and one of the reasons the APO-Macro-Elmarit name remains so highly regarded.
The 100mm macro is aimed at photographers who enjoy shooting macro, such as nature photography, or those who need a true 1:1 reproduction ratio. That ability extends its usefulness to subjects like product photography, artwork and fine art reproduction within the SL system.
At the same time, the 100mm focal length is ideal for portraits, providing a flattering perspective and strong subject separation from distracting backgrounds, adding a capability that was previously missing from Leica's native lens lineup.
Explore current SL cameras and Leica L Mount lenses here, and sign up to be notified about these and other new releases.
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By Nick Dautlich on 25/06/2026
Nick Dautlich is the Senior Content Writer and Product Reviewer at Park Cameras, with over 15 years of photography experience. A Sony Imaging Professional and expert reviewer, Nick has worked with major brands such as Canon, Sony and Nikon. His work is also featured on Vanguard World UK’s website, Capture Landscapes, and Shutter Evolve. Nick’s photography includes National Trust projects and magazine covers and he is passionate about landscapes and storytelling. Nick also enjoys hiking and teaching his children about nature. Learn more on his profile page.
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