Sigma 24-70mm f/2.8 DG DN II Art Lens for Sony E
The updated Sigma 24-70mm F2.8 DG DN II Art Lens for Sony E combines improved optical performance and faster HLA autofocus in a lighter 735g standard zoom for stills and video.
We Love
- Beautiful sharpness and smooth rendering make the most of high-resolution cameras
- Constant f/2.8 opens up creative possibilities from portraits to low-light scenes
- Faster, quieter focusing feels at home with both stills and filmmaking
- Excellent close-up capability brings small details dramatically into frame
- A lighter build makes this everyday zoom easier to carry wherever the day leads
Key Features
- 24-70mm standard zoom with constant f/2.8 aperture
- HLA linear motor with over 3x faster maximum AF drive speed
- 17cm minimum focusing distance and up to 1:2.7 magnification
- 11-blade rounded diaphragm for smooth out-of-focus rendering
- Aperture ring with click/de-click and lock controls
- Minimised focus breathing for more natural focus transitions
- Two customisable AFL buttons and zoom lock switch
- Dust and splash resistant 735g construction with 82mm filter thread
Summary
This second-generation professional standard zoom refines an already popular formula, with higher resolving power, quicker focusing and improved handling in a noticeably lighter package. Its constant f/2.8 aperture and versatile range make it equally comfortable with portraits, landscapes, events and everyday photography, while excellent close-up capability extends its usefulness for smaller subjects and details.
Filmmakers gain quieter linear focusing, reduced focus breathing and a de-clickable aperture ring, while photographers benefit from improved optical performance and more direct controls. At 735g for Sony E-mount, it is also 95g lighter than its predecessor, making a meaningful difference for a lens intended to spend much of its life on the camera.
In More Detail
Flagship performance
The flagship workhorse standard zoom replaces the highly respected first generation Art-Series model, with upgrades which include improved resolution throughout the range. It has high sharpness throughout the entire image from its maximum f/2.8 aperture, even on high-resolution Sony E bodies.
An 11-blade rounded diaphragm with wide maximum f/2.8 aperture contributes to beautifully circular bokeh with smooth defocus areas and lovely falloff from in to out-of-focus areas. This delivers superb subject separation as well as strong low light performance for a standard range zoom of this kind.

Sample beach huts 02 @28mm. Settings: 1/640 sec. f/5.6. ISO 100
Updated optical design
The updated optical design adds additional aspherical elements. Optics now include 6 FLD glass elements, 2 SLD glass elements, and 5 aspherical lens elements to suppress aberrations throughout the entire zoom range.
Sagittal coma flare is in particular well controlled, helping the lens to achieve consistently high resolution all the way to the edges of the image. By also effectively correcting lateral chromatic aberration, beautifully rendered high resolution images can be achieved, which are free from colour fringing even in higher-contrast scenes.
5 aspherical lenses
Sigma’s Aizu factory’s ultra-high-precision aspherical moulding technology makes it possible to produce thin, highly polarised aspherical lenses that are essential for the construction of this lens. It employs 5 high-precision aspherical lenses, which allow for a more compact optical design, with both high performance and minimal aberrations.

Sample dog jumping at beach @33mm. Settings: 1/2000 sec. f/2.8. ISO 125
Versatile close-up performance
With a minimum focusing distance of 17cm at the wide end of the zoom range, and 34cm at the telephoto end, creators gain a versatile lens, which is capable of creating dramatic close-up images and videos. This is complemented by a maximum magnification ratio of 1:2.7 for shooting in tight spaces where it may be difficult to get a good distance from the subject, and for general purpose close-up shots.
Minimised flare and ghosting
Flare and ghosting are common detractors from image quality, and Sigma has reduced both significantly through advanced simulation technology, ensuring the lens delivers rich, high-contrast images under various conditions.
Additionally, the application of Nano Porous Coating and Super Multi-layer Coating helps to suppress flare and ghosting, providing a high resistance to backlighting with clear and sharp images in virtually any lighting situation.

Sample river harbour @35mm. Settings: 1/1000 sec. f/2.8. ISO 100
Minimised focus breathing
The new 24-70mm lens from Sigma is designed to suppress focus breathing. The change in angle-of-view due to focus shift across the zoom range is minimised, creating more natural-looking focus pulls when recording video.
Lighter design with more portability
This model boasts a body that is approximately 7% more compact and 10% lighter than its predecessor. It also enhances usability with the addition of an aperture ring and two AFL buttons.
Despite its smaller size and new features, the lens continues to uphold Sigma’s acclaimed build quality, featuring the precise and robust construction that is characteristic of a professional tool. While the number of lens elements is the same as that of the previous model, the optical design has enabled the overall length to be shortened from 122.9mm to 122.2mm, contributing to the reduced weight and improved balance.

Sample horse riding at beach @70mm. Settings: 1/1250 sec. f/2.8. ISO 100
Reliable build quality
While prioritising size and weight, Sigma ensured build quality remains high through the use of metal parts for the zoom extension unit and other parts. A robust internal structure provides rigidity during use, such as when operating the ring, pressing buttons, and carrying the lens. The design emphasises the lens’ durability and reliability as a professional tool, which cannot be achieved by solely pursuing a compact and lightweight body.
Newly added aperture ring
An aperture ring with an aperture ring click switch and an aperture ring lock switch are all available, allowing for more versatile aperture adjustment for stills and video recording.
Two AFL buttons
Thanks to two AFL buttons users can assign a range of custom functions via the menu on selected cameras. In addition to the one on the side, an additional button has been positioned on the top to facilitate operation when the camera is held in vertical orientation, making for an ergonomic improvement over the previous model.

Sample landscape photography @70mm. Settings: 1/40 sec. f/9. ISO 100 (tripod mounted)
Updated high-speed autofocus and functionality
In addition to high-speed AF with HLA (High-response Linear Actuator), the 24-70mm F2.8 DG DN II | Art lens has a full range of features. These include weather resistance from a dust and splash resistant structure, a water and oil repellent coating, and a zoom lock switch, delivering the best results in any shooting situation.
Dust and splash resistant with a water and oil repellent coating
On top of the dust and splash resistant design, the front element features a water and oil repellent coating, allowing users to shoot with less concern, even in harsh outdoor environments. The oil repellant coating enables easier cleaning of the front element, with reduced smears and fingerprints.

Sample wild garlic landscape photography @31mm. Settings: 1/4 sec. f/9. ISO 100 (tripod mounted)
New zoom lock switch
A zoom lock switch that locks at the wide end prevents the barrel from extending unintentionally under its own weight. The lock can be released by both the switch and also by simply operating the zoom, allowing for flexible handling and instantaneous shooting.
Linear HLA motor with 3x quicker drive speed
Alinear motor HLA (High-response Linear Actuator) for the AF actuator is incorporated into the second generation model. This high output HLA increases drive speed by around 3x compared to the previous model, ensuring extremely responsive autofocus in a variety of situations. A petal-type Lens Hood LH878-05 with lock is included to protect the front of the lens from accidental knocks and to reduce the amount of incidental light.

Sample wild garlic II landscape photography @31mm. Settings: 1.6 sec. f/11. ISO 100 (tripod mounted)
Additional features
- Inner focus system
- Compatible with high-speed autofocus and Lens Aberration Correction with compatible cameras
- Supports DMF and AF+MF
- Compatible with AF assist for Sony E-mount
- Nano Porous Coating and a Super Multi-Layer Coating
- Water and oil repellent coating
- Focus Mode switch
- Undergoes Sigma’s proprietary MTF measuring system
- High-precision, durable brass bayonet mount
- Made in Aizu, Japan craftsmanship
Read our Sigma 24-70mm F2.8 DG DN II Art Lens Review for our hands-on experience, sample images and detailed buying advice.
Frequently Asked Questions
Does it have built-in image stabilisation?
No. There is no optical stabilisation in the lens, so handheld stabilisation depends on the camera body. Compatible Sony cameras with IBIS can provide stabilisation when required.
Is it compatible with teleconverters?
No. Teleconverters are not supported, so photographers who need substantially more reach should consider a dedicated telephoto lens instead.
Can I adjust focus manually while using autofocus?
Yes. DMF and AF+MF are supported with compatible cameras, allowing focus to be fine-tuned manually without first switching completely to manual focus.
Specifications
|
Product Name |
SIGMA 24-70mm F2.8 DG DN II I Art |
|
Lens Construction |
19 elements in 15 groups |
|
Angle of View (full-frame) |
84.1°-34.3° |
|
Aperture design |
11 rounded Diaphragm Blades |
|
Aperture range |
f/2.8 - f/22 |
|
Minimum Focusing Distance |
17cm (Wide) – 34cm (Tele) |
|
Maximum Magnification Ratio |
1:2.7 (Wide) – 1:4 (Tele) |
|
AF actuator |
HLA (High-response Linear Actuator) |
|
Filter Size |
82mm |
|
Dimensions (Diameter x Length) |
87.8mm x 122.2mm |
|
Weight (approx) |
735g |
What's in the Box
- Sigma 24-70mm f/2.8 DG DN II Art Lens for Sony E Mount
- Case
- Lens Hood LH878-05
- Front Cap LCF-82 III
- Rear Cap LCR II
| Offers: N/A |
| Offer Category: N/A |
| Offer Product Type: N/A |
| Autofocus: N/A |
| Aperture ring: N/A |
| Constant Aperture: Yes |
| Lens CIPA Image stabilization rating: N/A |
| Colour: N/A |
| Diameter (mm): N/A |
| Length (mm): N/A |
| Weight (g): N/A |
| Distance scale: N/A |
| DoF scale: N/A |
| Elements: N/A |
| Environmental Sealing: N/A |
| Focus distance limiter: N/A |
| Focal length: 24 - 70 mm |
| Focus method: N/A |
| Filter Thread: N/A |
| Full time manual: N/A |
| Groups: N/A |
| Hood supplied: N/A |
| Lens Image stabilization: N/A |
| Lens mount: N/A |
| Lens Materials: N/A |
| Maximum focal length: 70.0 |
| Maximum magnification: N/A |
| Maximum aperture (number): 2.8 |
| Maximum aperture (text): N/A |
| Max Format size: N/A |
| Minimum focal length: 24.0 |
| Lens Minimum focus distance (m): N/A |
| Minimum aperture (number): N/A |
| Minimum aperture (text): N/A |
| Motor type: N/A |
| Number of diaphragm blades: N/A |
| Power zoom: N/A |
| Special elements / coatings: N/A |
| Tripod collar: N/A |
| Lens type: N/A |
| Wide/Tele: N/A |
| Level: N/A |
| Year Of Release: N/A |
| Best For: N/A |
| Best For Holiday and Landscape: Yes |
| Best For Interior and Architecture: N/A |
| Best For Fashion and Portrait: Yes |
| Best For Macro and Still Life: N/A |
| Best For Astro: N/A |
| Best For Street: N/A |
| Best For Wildlife and Sport: N/A |
| Zoom lock: N/A |
| Zoom method: N/A |
| Notes: N/A |
Thinking of choosing finance?
Finance is a great way to spread the cost of your purchase. To make it easy we have teamed up with Omni, one of the UK’s leading finance specialists, so that you can apply for and complete a loan application quickly, easily and informatively.
Omni Capital Retail Finance Ltd which is a credit provider/ lender regulated by the Financial Conduct Authority whose finance options are best suited for you and your purchase.
Simply add the items you love to your basket. Once you are at the checkout select the finance option that suits you and choose Omni. The quick application form is simple and should take no more than a couple of minutes to complete and you will receive a decision instantly. Easy!
Use our finance calculator to check the impact of various loan values, terms and interest rates on the total amount you need to pay and the monthly repayments.
Representative example:
Buy a £1,200.00 camera and pay a 10% deposit of £120. You'll borrow £1,080 over 24 months with an annual interest rate of 14.9% (fixed) with a first payment of £52.04 followed by 23 monthly repayments of £51.83. The total amount payable will be £1,244.13 14.9% APR Representative.
Finance available See options |
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Check your eligibility
To be considered for finance, you will need to meet all of the following criteria:
- Are at least 18 years old
- Are in regular full or part-time employment (minimum 1 hour per week or £10,000 income per annum), unless you are retired and receiving a private or company pension, or you are in receipt of disability living allowance
- Are a permanent UK resident and have lived in the UK for at least 3 years
- Have a UK bank account capable of accepting Direct Debits
- Have a good credit history with no late payments, Debt Relief Orders, County Court Judgments or bankruptcies.

Please note that, due to calculations, your monthly repayment may differ very slightly from what you were expecting. Please check your monthly repayment figure before proceeding
Missed or late payments will result in fees and additional interest on your loan and can also affect your credit file and your ability to obtain credit in the future.
Credit is subject to status, UK only, 18+
Park Cameras Limited is a credit broker, not a lender and is authorised and regulated by the Financial Conduct Authority (FRN 680161). We do not charge you for credit broking services. We will introduce you exclusively to finance products provided by Omni Capital Retail Finance Ltd.
Omni Capital Retail Finance Ltd which is a credit provider/ lender regulated by the Financial Conduct Authority, Firm Reference Number: 720279. For more information please go to www.omnicapitalretailfinance.co.uk/contact/customer or visit www.omnicapitalretailfinance.co.uk.
Find out more about paying with finance here and Omni Capital Retail Finance Ltd terms here
Our Verdict
This model represents a notable upgrade to the flagship standard zoom from the Art line of lenses, serving as a compelling upgrade for amateur and professional creators.
Its enhanced features and redesigned form factor make it a strong contender for a diverse range of subjects, from epic landscape photography and intimate portraits, to fast-paced events and street photography. The added functionality of an aperture ring and additional AFL button improves operating efficiency, allowing photographers and videographers to adapt to different shooting conditions.
This lens is particularly suitable for those who require premium optical performance without the additional size, which is traditionally associated with professional lenses. Its compatibility with high-resolution cameras like the A7R V and A7CR allows it to meet the demands of photographers working with Sony’s latest sensor technology, and capture intricate details in extremely high-resolution images.
With reduced size and weight, it also offers a more portable solution, which us easier to carry and use than its predecessor, without sacrificing build and image quality, which Sigma is known for. This is especially welcome for photographers who shoot with smaller and lighter bodies, such as the A7C II or A7 IV, which combine high-speed shooting with lightweight ergonomics.
For photographers considering an upgrade from the previous version, or from another standard zoom lens, the updated model provides an excellent balance of performance, convenience, and Art-series quality.
Discover how much your old equipment is worth when trading-in, and you can use the money you make to offset against this.
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Condition guide
Our used products are subject to wear and tear in comparison to brand new products. This also applies to accessories that are supplied with the camera including batteries which may have a lower optimum performance level/life expectancy.
- Like New – The equipment is in a condition as if you have just bought it from the manufacturer. The item is still considered to be ‘Like New’ even without the original packaging and accessories. The product has been fully tested and is in perfect working order. Lenses are optically clear. There may be light dust present that will not effect the imagery.
- Excellent – The equipment should be close to being ‘Like New’ but there may be some small cosmetic blemishes that lower its grade. The product has been fully tested and is in perfect excellent order.
- Cameras – Should have no marks on the LCD screen
- Lenses – Should have no marks on the elements and optically clear. There may be light dust present that will not effect the imagery.
- Very Good – The equipment may have some slight cosmetic wear to the paintwork and cosmetic blemishes with only light signs of use and the product has been fully tested and is in great working order.
- Cameras – The LCD screen may have small signs of wear that does not affect its display
- Lenses – The mount of the lens will start to show signs of wear
- Good – The equipment is showing more obvious signs of cosmetic wear and blemishes, but the product has been fully tested and is in great working order.
- Cameras – LCD screen may have scratches or wear that is starting to affect the display.
- Lenses – May have slight dust inside that does not affect images. The mount shows signs of use.
- Well Used – The equipment will show significant signs of wear. The paintwork will be coming away in large areas exposing the metal work, but the product has been fully tested and is in great working order.
- Cameras – LCD screen is heavily worn either by de-lamination or has scratches to it. Rubber grips are starting to come away from the body.
- Lenses – The lens has dust inside that may affect images. The rubber zoom/focus ring is coming away from the barrel of the lens.
*All of our used items are listed with the accessories that are included. If they are not listed, then they will not be supplied at the point of purchase.
Why Buy Second Hand from Park Cameras
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Our used stock goes through a rigorous quality process. Each item is carefully inspected by our experienced specialists during the trade-in process and checked again before being listed for sale. This ensures you can shop with total peace of mind, knowing your gear has been thoroughly tested and approved.
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Shop our used gear with total confidence. Every item comes with a 12-month warranty (unless stated otherwise). Get the best brands for great value, and peace of mind all in one place. Don’t miss out — upgrade your kit today!
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When you purchase a Used item, you have a 14-day returns policy if the item isn’t as described. Enjoy peace of mind while getting great value on pre-owned gear!