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Sony FX5 Full-Frame Cinema Line Camera
Product Code: 7634621F
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The Sony FX5 is a compact full-frame cinema camera with a 16.6MP stacked sensor, 5K Open Gate, internal 16-bit X-OCN RAW and AI-powered autofocus.
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Pre-Order
Pre-Order today to secure first available UK stock, First deliveries from early Sept.
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Key Features
- 16.6MP full-frame stacked Exmor RS CMOS sensor
- 5K Open Gate recording
- Internal 16-bit X-OCN RAW in LT, C1 and C2 formats
- Three Base ISO settings of 800, 4000 and 12800
- 5K/60p, 4K/120p and Full HD/240p at launch*
- False Colour, Waveform, Vectorscope and Focus Map monitoring
- Dual CFexpress Type A and SD UHS-II card slots
- Wi-Fi 6E and wired Ethernet connectivity
*5K 120p and 4K 240p recording available via a future firmware update.
Product Overview
Positioned between the FX3 and FX6, the FX5 combines a newly developed 16.6MP stacked Exmor RS sensor with BIONZ XR2 processing and an integrated AI Processing Unit. Fast sensor readout reduces rolling shutter, while 5K Open Gate provides more freedom to reframe footage for different aspect ratios in post-production.
Internal 16-bit X-OCN RAW supports demanding grading workflows, with three Base ISO settings of 800, 4000 and 12800 for production across varied lighting conditions. At launch, recording reaches 5K/60p, 4K/120p and Full HD/240p, with 5K/120p and 4K/240p planned through a future firmware update.
Professional monitoring tools, dual card slots and extensive wired and wireless connectivity support solo operators and larger production crews.
In More Detail
Imaging and Recording
Open Gate uses the full 3:2 sensor area at up to 60p, leaving more room to reframe, stabilise or create different aspect ratios in post-production. An optical low-pass filter helps suppress moiré and false colour in fine textures and repeating patterns.
Anamorphic workflows are supported by real-time de-squeeze monitoring for 1.3×, 1.5×, 1.6×, 1.8× and 2.0× lenses.
X-OCN is available in LT, C1 and C2 variants, with C1 and C2 producing smaller files than LT to reduce storage and transfer requirements. XAVC All-Intra and Long GOP formats provide alternatives for productions that do not require RAW.
Exposure and Image Quality
More than 15 stops of dynamic range with S-Log3 provide latitude for high-contrast scenes and colour grading, including matching footage with BURANO, VENICE and other compatible cameras.
Three Base ISO settings cover controlled lighting, available-light and night shooting, while Dual Gain technology helps reduce noise in darker areas and retain shadow detail.
Autofocus and Stabilisation
Fast Hybrid AF uses up to 759 phase-detection points, with AI subject recognition for people, animals and birds. Priority modes help tracking remain on a chosen subject type, while AF Transition Speed, AF Subject Shift Sensitivity and AF Assist provide additional control during movie recording.
Five-axis in-body stabilisation is supplemented by Active and Dynamic Active modes, allowing operators to trade some field of view for stronger correction during handheld shooting.
Operation and Monitoring
CineAlta-style menus and customisable controls provide a familiar interface for crews working across Sony’s professional cinema range. The 3.5-inch four-axis LCD can be repositioned for handheld, tripod, gimbal and low-angle shooting, while built-in monitoring tools reduce reliance on an external monitor for many setups.
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Tool |
Workflow benefit |
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False Colour |
Uses colour overlays for fast, accurate exposure assessment |
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Waveform Monitor |
Displays luminance levels for precise exposure control |
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Vectorscope |
Monitors colour saturation and white balance |
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Focus Map |
Highlights areas in and out of focus for critical manual focusing |
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Zebra Display |
Warns when selected exposure thresholds are reached |
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Histogram |
Shows tonal distribution for quick exposure evaluation |
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Focus Peaking |
Highlights sharp edges to confirm manual focus |
Audio and Connectivity
The optional XLR-H2 Handle Unit adds balanced XLR inputs with recording at up to 96kHz/32-bit float and is available separately or with selected kits.
Dual card slots support relay recording, simultaneous backup and separate proxy files. A full-size HDMI Type A connection supports external monitoring and compatible RAW recorders, while FTP transfer and live streaming up to 4K/60p support remote delivery workflows.
Connectivity includes 2.4GHz, 5GHz and 6GHz Wi-Fi with 2×2 MIMO, Bluetooth 5.3 and Ethernet up to 2.5GBASE-T. The Monitor & Control app supports wireless monitoring and remote or multicamera operation from compatible devices.
Two USB-C ports allow accessory, data and USB Power Delivery connections to be used simultaneously.
Expansion and Reliability
Seven 1/4-20 UNC mounting points allow accessories to be attached with less reliance on a cage. An optional OLED viewfinder, XLR Handle Unit (XLR-H2) and VMC-BNCU1 Timecode Adapter Cable extend monitoring, audio and synchronisation for multicamera productions.
The NP-SA100 rechargeable battery provides approximately 30% greater capacity than the FX3 battery, with up to approximately 170 minutes of continuous recording. Fan-assisted thermal management supports extended recording, while front and rear tally lamps provide clear recording confirmation.
Discover more in our Sony FX5 First Look with FX3 and FX6 Comparison.
Frequently Asked Questions
What is the difference between the FX3 and FX5?
The FX3 is smaller, lighter and more affordable, while the newer model adds a stacked sensor, 5K Open Gate, internal X-OCN RAW, three Base ISO settings and more extensive monitoring and connectivity.
Should I choose the FX5 or FX6?
Choose the FX6 if built-in electronic variable ND and SDI connectivity are important to your workflow. The smaller alternative provides 5K Open Gate and internal X-OCN RAW, making it particularly attractive when compact rigging and greater recording flexibility take priority.
Is Open Gate useful if I deliver in 16:9?
Yes. Capturing the full 3:2 sensor area provides additional image above and below a 16:9 frame, giving you more freedom to crop, stabilise or adjust composition during editing.
Is the FX5 Netflix approved?
At present, the FX5 does not appear on Netflix’s approved camera list. The FX3 and FX6 are currently listed as approved models.
Will my existing E-mount lenses work?
Yes. Compatible E-mount lenses can be used, including Sony G and G Master models and a wide range of third-party photographic and cinema lenses.
Do I need the XLR Handle Unit to record audio?
No. The camera includes a 3.5mm microphone input, so the handle is not essential for every setup. Add the optional XLR-H2 when you need balanced XLR connections, phantom power or up to 96kHz/32-bit float recording.
Specifications
|
Category |
Specification |
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Sensor |
16.6MP back-illuminated stacked Exmor RS CMOS |
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Sensor size |
Full-frame |
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Effective resolution |
16.6MP |
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Processor |
BIONZ XR2 with integrated AI Processing Unit |
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Dynamic range |
15+ stops |
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Base ISO |
800 / 4000 / 12800 |
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Recording formats |
XAVC, X-OCN LT, X-OCN C1, X-OCN C2 |
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RAW recording |
Internal 16-bit X-OCN |
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Open Gate |
5K 3:2 |
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Maximum frame rate |
5K 120p / 4K 240p* |
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Codec options |
XAVC-I, XAVC Long GOP, X-OCN |
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Colour |
S-Log3, S-Cinetone, HLG |
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Monitoring tools |
False Colour, Waveform, Vectorscope, Focus Map, Zebra |
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Autofocus |
Fast Hybrid AF with AI subject recognition |
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Subject recognition |
Human, Animal, Bird |
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Stabilisation |
5-axis IBIS + Active + Dynamic Active |
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Anamorphic |
1.3× / 1.5× / 1.6× / 1.8× / 2.0× de-squeeze |
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LCD |
3.5-inch four-axis touchscreen |
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EVF |
Optional 3.68M-dot OLED |
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Memory cards |
Dual CFexpress Type A / SD UHS-II |
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Ethernet |
2.5GBASE-T / 1000BASE-T / 100BASE-TX |
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Wi-Fi |
Wi-Fi 6E (802.11ax) |
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Wireless bands |
2.4GHz / 5GHz / 6GHz |
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Antennas |
2×2 MIMO |
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USB |
Dual USB-C |
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Timecode |
USB-C via optional Timecode Cable |
|
Battery |
NP-SA100 |
|
Recording time |
Approx. 170 min continuous |
|
Mounting points |
Seven 1/4-20 UNC |
|
Audio |
32-bit float with optional XLR Handle |
|
Lens mount |
Sony E-mount |
What's in the Box
- Sony FX5 Cinema Line Camera
- Rechargeable Battery NP-SA100
- Battery Charger BC-SAD1
- Body cap
- Accessory shoe cap
- VF terminal protect cap
| Offers: Free Gift |
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| AE Bracketing: N/A |
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| Aperture priority: N/A |
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| Built-in flash: N/A |
| Battery Life (CIPA): N/A |
| Camera CIPA image stabilization rating: N/A |
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| Continuous drive (fps): N/A |
| Custom white balance: N/A |
| Digital zoom: N/A |
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| Environmental Sealing: N/A |
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| Live view: N/A |
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| Manual exposure mode: N/A |
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| Minimum macro focus distance (cm): N/A |
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| Remote control: N/A |
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| Self-timer: N/A |
| Shutter priority: N/A |
| Speaker: N/A |
| Sensor photo detectors (megapixels): N/A |
| Sensor size: N/A |
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| Storage types: N/A |
| Subject / scene modes: N/A |
| Timelapse recording: N/A |
| Touchscreen: N/A |
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| Uncompressed format: N/A |
| Camera USB: N/A |
| USB charging: N/A |
| Viewfinder coverage: N/A |
| Viewfinder magnification: N/A |
| Viewfinder resolution: N/A |
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| Video formats: N/A |
| Video Mode Categories: N/A |
| Video Modes: N/A |
| WB Bracketing: N/A |
| Wireless: N/A |
| Notes: N/A |
Thinking of choosing finance?
Finance is a great way to spread the cost of your purchase. To make it easy we have teamed up with Omni, one of the UK’s leading finance specialists, so that you can apply for and complete a loan application quickly, easily and informatively.
Omni Capital Retail Finance Ltd which is a credit provider/ lender regulated by the Financial Conduct Authority whose finance options are best suited for you and your purchase.
Simply add the items you love to your basket. Once you are at the checkout select the finance option that suits you and choose Omni. The quick application form is simple and should take no more than a couple of minutes to complete and you will receive a decision instantly. Easy!
Use our finance calculator to check the impact of various loan values, terms and interest rates on the total amount you need to pay and the monthly repayments.
Representative example:
Buy a £1,200.00 camera and pay a 10% deposit of £120. You'll borrow £1,080 over 24 months with an annual interest rate of 14.9% (fixed) with a first payment of £52.04 followed by 23 monthly repayments of £51.83. The total amount payable will be £1,244.13 14.9% APR Representative.
Finance available See options |
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Check your eligibility
To be considered for finance, you will need to meet all of the following criteria:
- Are at least 18 years old
- Are in regular full or part-time employment (minimum 1 hour per week or £10,000 income per annum), unless you are retired and receiving a private or company pension, or you are in receipt of disability living allowance
- Are a permanent UK resident and have lived in the UK for at least 3 years
- Have a UK bank account capable of accepting Direct Debits
- Have a good credit history with no late payments, Debt Relief Orders, County Court Judgments or bankruptcies.
Please note that, due to calculations, your monthly repayment may differ very slightly from what you were expecting. Please check your monthly repayment figure before proceeding
Missed or late payments will result in fees and additional interest on your loan and can also affect your credit file and your ability to obtain credit in the future.
Credit is subject to status, UK only, 18+
Park Cameras Limited is a credit broker, not a lender and is authorised and regulated by the Financial Conduct Authority (FRN 680161). We do not charge you for credit broking services. We will introduce you exclusively to finance products provided by Omni Capital Retail Finance Ltd.
Omni Capital Retail Finance Ltd which is a credit provider/ lender regulated by the Financial Conduct Authority, Firm Reference Number: 720279. For more information please go to www.omnicapitalretailfinance.co.uk/contact/customer or visit www.omnicapitalretailfinance.co.uk.
Find out more about paying with finance here and Omni Capital Retail Finance Ltd terms here
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Condition guide
Our used products are subject to wear and tear in comparison to brand new products. This also applies to accessories that are supplied with the camera including batteries which may have a lower optimum performance level/life expectancy.
- Like New – The equipment is in a condition as if you have just bought it from the manufacturer. The item is still considered to be ‘Like New’ even without the original packaging and accessories. The product has been fully tested and is in perfect working order. Lenses are optically clear. There may be light dust present that will not effect the imagery.
- Excellent – The equipment should be close to being ‘Like New’ but there may be some small cosmetic blemishes that lower its grade. The product has been fully tested and is in perfect excellent order.
- Cameras – Should have no marks on the LCD screen
- Lenses – Should have no marks on the elements and optically clear. There may be light dust present that will not effect the imagery.
- Very Good – The equipment may have some slight cosmetic wear to the paintwork and cosmetic blemishes with only light signs of use and the product has been fully tested and is in great working order.
- Cameras – The LCD screen may have small signs of wear that does not affect its display
- Lenses – The mount of the lens will start to show signs of wear
- Good – The equipment is showing more obvious signs of cosmetic wear and blemishes, but the product has been fully tested and is in great working order.
- Cameras – LCD screen may have scratches or wear that is starting to affect the display.
- Lenses – May have slight dust inside that does not affect images. The mount shows signs of use.
- Well Used – The equipment will show significant signs of wear. The paintwork will be coming away in large areas exposing the metal work, but the product has been fully tested and is in great working order.
- Cameras – LCD screen is heavily worn either by de-lamination or has scratches to it. Rubber grips are starting to come away from the body.
- Lenses – The lens has dust inside that may affect images. The rubber zoom/focus ring is coming away from the barrel of the lens.
*All of our used items are listed with the accessories that are included. If they are not listed, then they will not be supplied at the point of purchase.
Why Buy Second Hand from Park Cameras
Park Approved Stock
Our used stock goes through a rigorous quality process. Each item is carefully inspected by our experienced specialists during the trade-in process and checked again before being listed for sale. This ensures you can shop with total peace of mind, knowing your gear has been thoroughly tested and approved.
12 Month Warranty
Shop our used gear with total confidence. Every item comes with a 12-month warranty (unless stated otherwise). Get the best brands for great value, and peace of mind all in one place. Don’t miss out — upgrade your kit today!
14 Day Returns Policy
When you purchase a Used item, you have a 14-day returns policy if the item isn’t as described. Enjoy peace of mind while getting great value on pre-owned gear!
